Tuesday 25 November 2014

Foxcatcher (2014) - Review



Foxcatcher - Review (2014)
Director – Bennett Miller
Stars – Steve Carell, Channing Tatum, Mark Ruffalo
Loews Theatre - NYC

As I walked into the Loews Theatre on Lincoln Square I was met with hundreds of teenage fans eager to see one of the many showings of ‘The Hunger Games – Mocking Jay part 1’. I realized that I had chosen perhaps the wrong day to see one of my most anticipated films of the year, Foxcatcher. After pushing through these fairly loud patrons I was met with the next task of finding the right screen, One would assume this would be easy, yet Loews theatre (although I liked it) decides to ‘name’ their screens instead of a slightly easier numerical system, so on I went to ‘Screen: Olympus’ The grand name matched the expectation I had for the movie in store and also its audience, once in this enormous room I was met with an almost full capacity turn out which was a surprise. This was one of the lower budget, slow burner dramas that acts as a polar opposite to many of its November weekend contenders. Although as again expected the audience consisted of a middle aged/elderly demographic that is always a good sign, you know these older people will shush people quicker than you any day.

Foxcatcher opened by showing old eerie footage of the titular character on ‘The Richest family in America’s estate’ each person dressed ready for the hunt and the last shot of a fox being released running for its life, cut to the opening credits. This somber and dark tone set the mood for the next 134 minutes, this is in no way a bad thing, it was exactly what this story needed and by the end it would ultimately stand as a metaphor for the events that took place on John Du Pont’s (Carell) Estate. What struck me the most was how amazing all three leads were, Ruffalo and Tatum had clearly spent hours learning how to wrestle like professionals and this showed when they were battling each other. The highest praise must be saved for Steve Carell who shows that comic actors are often the darkest when playing these roles, certain moments in his performance made you want to just clean yourself they were that unsettling. From his smile to the way he longs for his mothers approval even to the point he pretends how to coach the team. The narrative shows that Du Pont has ‘bought’ Mark (Tatum) and David (Ruffalo) Schultz as he is obsessed with wrestling and winning gold, and there is one amazing scene where we see Mark Ruffalo wrestling himself when he is asked if Du Pont is an inspiration and his mentor. It’s a sad story and one where the surprise strength comes from Channing Tatum’s performance, proving that he is one of the best serious actors around, he manages to shine with innocence until he sees Du Pont for who he is and the film quickly shifts gear into his hatred for John. Carell should win an Oscar for his performance along with his other comrades, he is outstanding in the way he shows on so many levels how disturbed and sad Du Pont is, whilst at times making us feel sorry for him.

Foxcatcher is an excellent film, one that I am looking forward to seeing again. Its only downfall is that it is sometimes static; in places it can be moved forward at a slightly quicker pace. However there is a supposed 4-hour long cut that I would love to see just for more moments between the cast. Its ending has such a mighty impact that everyone in the theatre was screaming and shocked, and when they left people were fiercely debating why Du Pont had done these things. Foxcatcher has already gained much praise, lets hope its leads get the same come awards season.

RATING: 4/5


Written by Joshua Tanner

Sunday 9 November 2014

Moustache Movie news - November Week 1

Moustache Movie news round up - November week 1


Jared Leto in talks to play ‘The Joker’ in future DC universe.

That’s right bat fans, Affleck replaced Bale and now Leto could replace Ledger. Its an interesting choice and one that could work, I’m sure Leto is getting a lot of grief via Twitter right now but lets remember that Heath Ledger got the same when he was chosen for The Dark Knight and that worked out pretty well.


                                             Matt Damon is returning as Jason Bourne.

Matt Damon has always said that the Bourne franchise and director Paul Greengrass went hand in hand, therefore he would not be returning for 2012’s ‘Bourne Legacy’. However since he and Greengrass must have been talking behind the scenes both have agreed to come back, we don’t know if it’s a one film deal or the start of a franchise re-boot, either way Bourne is back in 2016.




Toy Story 4

Another franchise thats renewing its run is 'Toy Story', seven years after 2010's latest outing which was a success at the box office and with critics. It makes sense for Disney to bring back one of its most beloved series, not that they need the money so this has to be one for 'the fans'.



Star Wars VII gets a title

Disney have stepped up the marketing campaign for the next trilogy in a galaxy far far away. Unveiling the title of the first in the next chapter as 'Star Wars: The Force Awakens'. Sounds good although no clues to what is in store for our heroes. Lets just hope watching an aged Luke, Leia and Han isn't as depressing as Kingdom of the Crystal skull.



'The Hateful Eight' gains Tatum

Remember earlier this year when Tarantino got pretty angry because his latest movie's script got leaked for all to see then cancelled the whole thing? Well he's cooled down since then and cast his Western ready for production early next year. The plot focuses on (you guessed it) eight menacing guys and gals who happen to stumble across each other in the old west in the midst of a storm and things get nasty. other cast members include Kurt Russell and Samuel L Jackson. (2015)


Christian Bale doesn't need 'Jobs'

Christian Bale has decided not to appear as Steve Jobs, founded of Apple inc in Danny Boyle's latest biopic. I saw Danny Boyle in Apple about 6 months ago and he didn't look to happy with his iPhone, probably how he feels round about now.










Interstellar (2014) Review



Interstellar (2014) - Review
Director - Christopher Nolan
Stars - Matthew McConaughey, Anne Hathaway

Christopher Nolan’s latest adventure has been shrouded in secrecy since its initial inception (sorry) back in 2012. Its been a busy time for the Nolan brothers after the crowning success of their bat-trilogy they wasted no time at all writing and directing their next masterpiece. Bringing with them on board the Enterprise are seasoned bat-vets including Michael Cain and Anne Hathaway, with newcomers: Matthew McConaughey, Casey Affleck, Jessica Chastain and Matt Damon. This is a stellar (not sorry) cast and one, which was highly controversial at the time, as Matthew McConaughey was pre- ‘True Detective’ and so the world still thought of him as a torso that could vaguely act. All that has changed with his Oscar last year and so the mighty Interstellar landed without any bumps.

We open to see Copper (McConaughey) and his two children attempting to live in a world which is falling apart, the military has been disbanded and the schooling system teaches people that the moon landings where faked. With this in mind Cooper is then recruited to pilot a mission through a wormhole to find an inhabitable planet for the human race. Interstellar is undoubtedly the year’s best sci-fi, it manages to grip its audience every single minute of its almost 3 hour run time. Hans Zimmer’s score is predictably brilliant and provides the peril and release that we need. The most surprising thing about the movie is that it didn’t use any green screen, this is the most astounding element because it spends 80% of its time showing us new plants and solar systems which are not only beautiful but also draw dropping. Nolan is able to make sure the human element is intact throughout which is a feat in itself, there is a particular moment where Cooper receives video messages from his children which would render even Bane to tears. It manages to introduce a sort of villain late on and one which above everything else, just wants to go home. In this way the Nolan brothers have once again changed the game, they have boldly gone where ‘Gravity’ touched upon last year and made it into something unique and heart wrenchingly brilliant.


Interstellar has a heart in and amongst the science; it captures our imagination of once again being space explorers, whilst also giving us a look at relationships, which Nolan hasn’t done before. This film is ultimately a master class in filmmaking without being convoluted and dull. Although some may think it doesn’t match up on the scale of Nolan’s predecessors, Interstellar delivers every step of the way.

RATING 5/5

Written by Joshua Tanner